从《蜘蛛侠》到《阿凡达》——数字演员的逼真表演技术揭秘

一、巡讲时间：2010年9月7日上午9:00－11:00
二、巡讲地点：北京师范大学北国剧场（北师大西门艺术楼）
三、报名方式：
联系人：肖永亮
电   话：01062200852
email：SIGGRAPH_Beijing@yahoo.com.cn

主讲人简介
保罗?德贝维奇，博士，南加州大学副教授、创意技术研究所副所长。1997年在加州大学伯克利分校攻读博士期间，开创了虚拟摄像技术运用到他拍摄的电影习作之中，该技术被电影《骇客帝国》所采用。自1998年以来，保罗引领了高动态范围成像技术，在他的多部电影得到成功展现。在创意技术研究所，他开发了一系列舞台灯光装置，创立了不同的逼真的数字演员，成为了《蜘蛛侠2》和《阿凡达》等电影的重要角色。
德贝维奇博士在2001年曾获ACM SIGGRAPH首位最突出研究人物奖，2005年合作出版了《高动态范围成像》专著，2007年担任了ACM SIGGRAPH计算机动画节主席，并担任了ACM SIGGRAPH执行委员。2010年2月因舞台灯光系统的卓越成就而荣获奥斯卡科学与工程奖。

ACM SIGGRAPH 2010大会盛况报告会暨SIGGRAPH2010优秀动画和电子剧场展映

展映时间：下午14:00-17:00
ACM SIGGRAPH 2010大会盛况报告会暨SIGGRAPH2010优秀动画和电子剧场展映活动。欢迎参加！敬请预约！

From Spider-Man to Avatar: Achieving Photoreal Digital Actors
Speaker:  Dr. Paul Debevec, USC Professor, ACM SIGGRAPH EC Member, Academy Award® Winer
When:   Sept. 7th, 2010,  9:00-11:00 A.M. (including 30 minutes Q&A)
Where: Beiguo Theater at BNU, 19 Xinjiekouwai Ave. Haidian Dist. Beijing, 100875

RSVP: 010.6220.0852, SIGGRAPH_Beijing@yahoo.com.cn

Biography

Paul Debevec is a research associate professor at the University of Southern California and the associate director of graphics research at USC's Institute for Creative Technologies. Debevec's Ph.D. thesis (UC Berkeley, 1996) presented Fa?ade, an image-based modeling and rendering system for creating photoreal architectural models from photographs. Using Facade he led the creation of virtual cinematography of the Berkeley campus for his 1997 film The Campanile Movie whose techniques were used to create virtual backgrounds in The Matrix. Subsequently, Debevec pioneered high dynamic range image-based lighting techniques in his films Rendering with Natural Light (1998), Fiat Lux (1999), and The Parthenon (2004); he also leads the design of HDR Shop, the first high dynamic range image editing program. At USC ICT, Debevec has led the development of a series of Light Stage devices for capturing and simulating how objects and people reflect light, used to create photoreal digital actors in films such as Spider Man 2, Superman Returns, and The Curious Case of Benjamin Button, and Avatar. He received ACM SIGGRAPH's first Significant New Researcher Award in 2001 and co-authored the 2005 book High Dynamic Range Imaging from Morgan Kaufmann; he chaired the SIGGRAPH 2007 Computer Animation Festival and serves on the ACM SIGGRAPH Executive Committee. In February 2010 he received a Scientific and Engineering Academy Award® for his work on the Light Stage systems.

北京动漫游戏产业联盟
二〇一〇年 八月二十五日